our much lauded d.i.m. has vanished into thin air for a while only to get back with some

basic soul unit has been a fixture on torontos techno scene for the best part of the last decade, with releases on mathematics, crème organization and mule electronic, while skudge have made their name with a unique sound and an independent approach which has seen most of their material released through their own imprint. both artists show an interesting insight into boddikas curatorial approach for the label, and are indicative of the move towards 4/4 techno that the producer has been making for a while now – with both producers sharing a similarly weighty, yet deep approach to the genre that boddika has been moving towards in his recent collaborations with joy orbison

after the trippy translations of the helium robot space trip called jarza, theo parrishs second and very welcomed visit to running back is all new material - almost. black mist in its extended version is just that: an extended take of the already released version on the rare-as-hens-teeth sketches pack. cut on 45, its a hard punch in the gut. techno-not-techno-house-not-house parrish power. previously unreleased and no less persuasive are pop off and wild out. while the first one centers around an endless piano and sucks you into the corny, but magic of repetition, the second one sounds like a theo parrish demo for dance mania after he came back from listening to lil louis at the bismark pavilion. mosh pit music. limited pressing in full printed sleeves.

french dj and producer, sebastien san, whos been releasing house records under one name or another for about a decade, has taken the next big step forward in his lauded career and started his own label. after releasing material through a venerable whos who of labels like planet e, poker flat, rush hour, we play house, and echocord, it only makes sense that sebastien take matters into his own hands and helm an operation independently. the imprint, cheekily called ab initio, will predominantly function as a vehicle for the man to put out his own records.

zafsmusic.com continues to bring you the rarest disco & boogie bangers with his new compilation titled >private wax vol 1.< 15 scintillating excursions into the deep disco & boogie world of privately pressed & produced gems. zaf zafsmusic is a disco weasel of the highest order!

third studio album from the stone roses, originally released in 1994, now back on 180 gram double vinyl, housed in a gatefold sleeve.

after blazing out of bushwick in 2011 with two buzzworthy singles, a reputation for turning live gigs into spontaneous diy parties (and vice versa), and a bio built to withstand the most cynical indie-blog cred-vetting – brooklyns friends will release their debut album manifest! on lucky number.

vader, the good old, wonderful death/thrash metal band who helped drive both genres into what they are today. this compilation of their two legendary demos is impressive and shows how old vader rocked out. unlike thrash bands that play the same riff over and over, these guys know how to perform.
recommended if you like: morbid angel, slayer, death, sadus, celtic frost, kreator, destruction, master, malevolent creation ...

no other than cecilles co-labelboss and fulltime good guy marc scholl steps into the arena – to unwrap the first 3 of his well kept secrets! rock solid tracks from the elegant side of the rhein main neckar house movement! watch out for more secrets to be revealed by the mystery man: marc scholl!

this record flivvers vol.2 is the second volume in a story of the end of one love one life, and the beginning of a new love and new life even greater than i had known before. it is a story of total life transformation and risk taking. of following blindly ones own dreams and desires without fear. each song is giving you more detail to the events that transcribe my life into vinyl. you may not know now my name, you may not know my face, but if you know my music you know my life, my joys, and my sorrows. if you know my music you know my heart

part 1/3. the distance from ricardos last field trip >the au harem d archimede< (perl43) in 2004 to the present epic 5x12 lp-set is a galaxy of electronic expression through sound independent from time and pace. it is said that funk is defined by the notes that are not being played. the space between the notes here is so vast that funk becomes transformed into the spirit that creates unfathomable emotional adventure. the rules of dynamics between 0 and 1 shift the relation from reality to relaxation. 14 freefloat sessions are made of natural, secret ingredients from the limbic system of astro aztecs. they evolve from rituals, ending in the release of the sinuous percussion ghost from the machine who breathes out a score for easy living. which sounds like a primordial soup aerosol of funky molecules and molluscs.

part 2/3. the distance from ricardos last field trip >the au harem d archimede< (perl43) in 2004 to the present epic 5x12 lp-set is a galaxy of electronic expression through sound independent from time and pace. it is said that funk is defined by the notes that are not being played. the space between the notes here is so vast that funk becomes transformed into the spirit that creates unfathomable emotional adventure. the rules of dynamics between 0 and 1 shift the relation from reality to relaxation. 14 freefloat sessions are made of natural, secret ingredients from the limbic system of astro aztecs. they evolve from rituals, ending in the release of the sinuous percussion ghost from the machine who breathes out a score for easy living. which sounds like a primordial soup aerosol of funky molecules and molluscs.

new swedish label from >dont recordings< artist, boner m. limited pressing. classy mid-90s style techno, antsinplot takes you on a ride without compromise into the realms of techno. harsh sounds and stuttered riffs unfold over super-kicking beats. this is real raw techno with the punkest of attitudes and of the ilk that would have sat (un)comfortably on seminal techno labels such as subhead, dj hyperactives contact, tim taylors missile or indeed any label that released hard techno built for dark strobe-lit warehouses during the 90s. this is the techno that rocks underground bunkers in berlin, london, sao paulo and all around the world but remains untarnished by commercial interference... alive with attitude and real analogue fuzz, antsinplot 001 is co-produced by boner m whose monster record zoidar released last year on dont recordings, found its way into the box of ben sims amongst other leading techno tastemakers.

having wowed us with last summers argentina ep for the label, tom returns to circus with his latest work, the four track white drum ep. whilst its heavy on the bass, this new ep also demonstrates the maturing of flynns production with his impressive use of vocals and melody throughout. having now played events in both liverpool and london, tom flynn has been welcomed further into the circus fold and his white drum ep confirms him as one of the family!

next journey into the world of sweatshop. this time its north lake again who combines harder droning techno with detroitesc feelings. amazing!

vase returns with musical prodigy koreless releasing his long awaited single lost in tokyo alongside a dancefloor readied remix from label boss jacques greene. lost in tokyo garnered hype after being featured in jamie xxs bbc radio 1 essential mix last year and soon became a crowd pleaser in the young producers infamous live shows. featuring his trademark formula of stripped back production, lush atmospherics and hypnotic vocal chops. warm synth pads glow as the signature vocal pitches dramatically build to a beautiful crescendo. on the flip man of the moment jacques greene flips the track into dancefloor territory with pounding drums and incredible energy. dj support comes from annie mac, mary anne hobbs, gilles peterson and benji b

after the club tropicana sounds of bang the bomb its time to roll the sleeves up and get down to the business end of this trip. touching down on planet subturanus in search of the real underground shit light sound dark do not disappoint digging deep into its core and excavating strange alien like sonics which had previously been lying dormant.

tomas barfod is fascinated with the idyllic wasteland, unveiling >salton sea<, an lp on the friends of friends imprint that draws from the concept of urban decay. the producer and drummer of the popular danish group whomadewho, with a history of solo and collaborative releases for get physical, turbo, gomma, and kompakt, barfods latest full-length balances contrasts. at times bright with delicate pop melodies, >salton sea< boldly submerges into dark, morose rhythms, juxtaposing the graceful and desolate characteristics of the californian lakebed the album shares its name with.

this ep is the debut of french artist remcord with atmosphere records. since theres a strong believe in this young producers music and live act his first ep at the label is inmediately translated into vinyl. remcord developed his own sound with catchy rhythms, cheerful synths and well placed vocals.remixes are provided by well known atmosphere artists stereo express and rené bourgeois. stereo express delivers a live interpretation with extended sax. the tremendous rené bourgeois remix winks to al pacinos scarface.

>chopped icebreaker< erupts into a tropical storm of balearic riffs, >passions limiter< rides a lux and limber bass line under your skin amidst cruising pads. roman flugel brings the remix of >chopped icebreaker< beneath fluffy melodic clouds.

amir has been making a big stir with his vanguard sound label & hakim is part of the next generation chicago heavy hitters. they gift us 2 tracks each, that are sure to open many peoples ears, as they go deep, deep, into sound.

the 2nd e.p taken from jon convexs debut >idoru< lp is a turn for the darker side than its predecessor. on these two limited 10 inch white vinyl plates, convex transports us into a cold and dystopian future.

steyoyoke delivers another charismatic affair for the labels fifth release with bartoks three track ep entitled >deeplodocus<. brimming with diversity, bartoks ep runs the gamut of deep, to funky, to ambient, to big room sounds. his versatile, well rounded production skills are manifested throughout, pushing the envelope with genre bending beats that have been crafted with beautiful restraint, all the while delivering big-room sounds that will keep you dancing into the late summer nights. another solid release for the steyoyoke imprint and we will be expecting to hear much more from the extremely talented bartok.

hannover based imprint yippiee return with the outstanding come with me ep this august by manuel moreno, backed with remixes from label owners filtertypen and normen hood. this release follows the success of yippiees treibgut sonder kompilation which featured cuts from deepnhouse heavy hitters chris lattner, moritz piske, patlac and gorge to name a few. now the german imprint deliver this four track single from swiss producer manuel moreno whos releases on 8bit and dj sets at space and privilege (ibiza) have earned him a highly praised status in the underground. title track, come with me, opens the release, encompassing a boomy kick drum, tight drum programming and ethereal atmospherics to create a deep and dark distinctive quality. the inclusion of a gritty sub bassline further fuels its murky progressive vibe, while the introduction of a soulful vocal hook and bright string melodies adds a lighter touch to the composition.label owners filtertypen opt for a less is more approach to their remix of come with me. stripping back the atmospherics to a more dismantled state, the duo-apply punchy drums and a warbling sub-bass,resulting in a smooth rolling groove that runs steadily for its duration. the cut comes into fruition threeminutes in when the pair bring in an amalgamation of deep strings, synth shots and delayed fx, finely placedto create an expansive dynamism. hello bernhard employs deep worldly percussion as its driving force, while guitar licks and warm chordscreate undeniably beautiful imagery. moreno demonstrates his ability to manipulate melodies with precisionhere, introducing several elements to play off one another in a call and response fashion. last up on the wax release is im sorry, a solid slice of house built around rolling toms, sawtooth bass notes and trippy vocal murmurs. manuel utilizes heavy delays and big room reverbs to create cavernous effects in the breaks that adds an incredible weight when the preceding groove is brought back in. to close the release normen hood offers up a remix of hello bernhard as a digital bonus. applying deep house tactics, hood plays on warm piano stabs and brass hooks that deviate around the tight-knit drums for several minutes creating an epic rework.

already known for his stimulating releases on idle hands, syndrome z, horizontal ground and krill music, szare steps into the deep moves light for our fifth release from the label. containing three original ruff n tuff tracks with techno vibes including a killer bleak remix... killaaaaa!!!!

chicago house legend mike dunn goes into the vaults to deliver a series of his own personal dj edits moving across jazz, funk, soul and disco. the series focusses on jamz that inspired the early chicago house scene (tracks that you would hear at the music box or warehouse) and edited to perfection by mike dunn for maximum effect on the dance-floor. already supported by terry hunter, kenny dope & jazzy jeff, to name a few. limited. hand stamped 12 inch.

krone and malsum team up once again for this amazing new release on fkz:ltd. heavy on the neurotip, the a-side starts off with a creepy soundscape and rolling yet subtle break edits. the synth takes the overhand and leads you into the monsterous bassline. wicked! for the flip krone created a solo piece of music that could easily fit on motherlabel fokuz as well. a nice musical piece of music filled with the trademark krone basslines and sweeps. diverse ep for both traditional neuro fans as for the fokuz crew!

a little over a year ago, benny grauer released the single >moog phunk< on his label deep circus. after a few remixes and own productions for labels such as blu fin and circle music, the label owner himself is now back with another release on deep circus. >driver ep< is the name of the publishment, featuring two deep tracks which are right on time for this years open-air season. while >mellow drive< being a song building up more and more during its course, letting you dance into dawn with its driving groove, the second track >endless morning< comes along a little bit more rough. with a crispy bassdrum, dark sounds and the flogging hihats, this number wont release anyone from the dancefloor too early. enjoy!

vinyl only! after amor fati with >into deep< began 001, buttha follows with a minimal and deep techno ep.

its impossible to sum up a career of dj sneak in few words, so well try with just couple of terms that might serve as a brief introduction to the world of the one of the scenes most vibrant djs and producers: in 1992 dj sneak began recording music. he released some of house music defining tracks on defiant, henry street music, relief, cajual, 83 west, downtown 161, strictly rhythm, classic (...) to name a few. 20 years later he is still one of hardest working producers around, one of the most in demand djs, and as always a full time house gangster. this summer he is responsible for a hard-hitting 4 track – ep which will be his debut on desolat. enjoy!

jay bliss is our first ever romanian signing. there has been a influx of superb romanian producers over the last years including a:rpia:r and the trend continues with bliss and his hermanndstadt collective. developing a style sitting somewhere between house and techno, with strong detroit roots he has released for the likes of immigrant, hudd trax and diynamic. pluto has been a staple of ralph lawsons sets for a while now, its a smooth and crisp tech house roller that recalls classic 2020 releases gone by, especially those of carl finlows. on the flip weve turned to skudge to give us their own take on pluto. weve been fans of skudge since they dropped their first single, and have had us transfixed with their excursions into pure analogue, loopy, dub techno ever since. their version of pluto is a different beast to the original, all stuttering percussion and menacing strings, a perfect counterbalance to the original version

an absolutely stunning album. its like an electronic emotional version of people like fink or piers faccini. this album is simply superb. vitall laurent garnier, very smooth, lush and deep. excellent, really! michael mayer, after nicolas jaar and pantha du prince, lee burton has brought the romance back into electronic music. a powerful album. raveline: a wonderful album with sophisticated arrangements, which turns out to be a little gem of melancholy and attract not only fans of smart elektronikexkurse, but also connoisseurs of elegant, unique and timeless pop music.partysan.net “une pop avant-gardiste et douce a decouvrir” sciences et avenir.thats part of the reviews lee burton received within the last three months from the press around the globe for his latest album release busy days for fools on klik records. being really ingenious lee burton managed to create a unique output that combines the sound of the german electronica with the greek temperament and the south american laid back feeling.busy days for fools is the stoner side of electronica. on july the 16th klik records present on a limited edition vinyl, pt. 01 of the remix series on original lee burton tracks from the likes of skinnerbox, mr statik, scsi -9 and finally on vinyl, nhars firelfy remix that reached on youtube more than 1.000.000 views so far

mimique presents their no. 7. the new vinyl contains 2 exotic tracks produced by sebastian phillip and moritz ochsenbauer, both part of the well known rabauken-crew. patrick kunkel (cocoon, weplayminimal) and david jach (keno records, mangue) gave their own touch into the remixes and not just that makes this release a dancefloorfiller.

from his earliest demos to his current position as a key figure in the global techno scene, perc (aka ali wells) has taken the established forms of the music he loves and twisted them into something new and fresh. building up successful relationships with scene-leading labels such as drumcode, ovum, kompakt and clr whilst unleashing a strong run of releases on his own perc trax label has seen percs influence and support grow even further. with each release his sonic experimentation has taken another leap forward without losing sight of the dance floor.

with the first single release of beijing rock, paul brcic (paul brtschitsch) brings a driving yet emotional production into the world of electronic sounds. an unmistakable, pulsating beat reminiscent of detroit-techno, smooth percussion, and a catchy bass line make up the songs foundation, immediately casting a bewitching spell and leaving no room for detours. carefully arranged samples from the 40s mould the centrepiece of the club bangers and move in perfect harmony with the full synth and fx sounds. without a doubt, paul brcic sets off a multifaceted sound explosion with a first look at the album beijing rock, scheduled for release in autumn 2012, always keeping one eye on production-technical details and the other on organic sound. beijing rock immediately invades the senses from the first measure, taking you along a journey outside of the clubs of this world and catapulting you just as quickly back to the sweat-inducing, wild nights. absolutely magnificent - paul brcic in his purest form. the b-side acid & camambert clatters as if on rails through the fields of sound and sets off one adrenaline rush after another with its clear basslines and consistently rising networks of beats. exquisite superstructures and effect dramaturgy breathe life into acid & camambert with an unbelievable energy and nearly acidic characteristics.

eric erickssons not exactly the most prolific producer in the world but what he lacks in releases he certainly makes up for in quality. in 1997 eric signed his debut ep to derrick mays fragile records, established his own kass recordings in 2004 and then last year put out his killer someone is watching ep on carl craigs planet e. >love cannot< remixer mr beatnick has been in popular demand since his slow jack remix of hints >one woman army< on tru thoughts profoundly pushed his production skills into the limelight, quickly backed by the 2011 track >synthetes< on semteks >dont be afraid< label, which featured on many tracks of 2011 lists. his follow up ep, sun goddess, has already gained critical acclaim and support from the likes of gilles peterson on radio 1.

second release on his diagonal label has powell ploughing a deeper furrow into his modern take on the sound of no-wave, ebm / metal-dance and other ancestral, primitive machine music forms, maintaining an icy cool aesthetic akin to that of his his debut release. loosely-arranged , these five tracks hold an off-kilter charm that evokes the rugged intensity of pre-sequencing era post-punk. calling all fans of 23 skidoo, mark stewart and the mafia or new-beat / ebm pioneers, liasons dangereuses, we suggest that you get on this one immediately.

lv return to hyperdub with a taste of whats to come on their forthcoming south london-meets-south africa album sebenza, due at the end of august. what lv make here is the exciting prospect of music influenced by south african house and kwaito, informed by regular trips out there and sessions with up and coming south african artists such as okmalumkoolkat, ruffest and spoek mathambo, but letting the influences of uk soundsystem music and hip hop bleed naturally into the mix too, creating a genuine hybrid.

short version: swedish new school electronic disco music. one side with vocals by kicki halmos and a melancholic swing, the other one is slightly man parrish-ish and features viking muscle beats. both tweaked, edited and mixed by a certain terje olsen from another viking country. long version: during a long and cold night in stockholm some moons ago, a mysterious 7? was given to running backs chief a&r. he liked it so much that he wanted to convince the world of its greatness, got more copies, played them back to back, gave it out to djs and producers and there a certain terje olsen decided that he could prolong the all too short 7inch versions into a 12inch. and here we are. original versions released on drifter sthlm by samo forsberg. do some popping, locking & down-dogging!

after firmly establishing their nu funk steez in the digital realm with countless releases, london label boogie boutique reached into the glamorous world of vinyl in fine style just before christmas with the double 12 inch drop a year on wax. they elect to continue their twelve inch shaped adventures with a label regular at the helm in the shape of funk ferret. the new zealander has featured on many a boogie boutique release, as well as other nu funk labels such as booty pirates and ghetto funk, so keen observers of the scene will know what to expect. >pushin forward< features the mic spitting skills of imagine this, whose mr lif style delivery is the perfect foil for a trademark mid tempo bass heavy bump from the ferret. boogie boutique have assembled a fine cast of remix talent too, with big beat veteran cut la roc dropping a fine sample heavy revision that allows the vox to shine. fellow bb artist and montreal dweller nick fonkyson adds some crunchy riffage to the mix, whilst the funk ferrets regrooved sound system partner dj alias concentrates on teasing out some bassline deviancy with some help from benson.

64 deep and motion lift us up into previously unknown heights of ecstatic elevator music.

with pumping bass and a deep kick, nick takes it down a bit into dub territory. perfect for home listening, as well as any afterparty, the mix lures the audience into a dreamy state of mind and holds them with a groove that touches you deep inside. weve included the original for yourmpleasure as well. take these tracks, and treasure them. quality tracks like this dont come outnevery day.

next michel cleis masterpiece , this time on dj kozes pampa records... >mir a nero< begins with a steady, upbeat kick underlying a simple piano arpeggio - like if philip glass make dance music - but then some accents of vibrant hand percussion loosen up the vibe, soon progressing into rhythmic layers that cause the energy to swell. by the 4-minute mark, a subtle, buzzing synth permeates the background, contrasting the tracks overall organic feel, leading into the playful piano chords and colombian vocal hook. simply put, this is latin house with that anomalous pampa records swagger, drenched with flavor like sangria-soaked mango. flip that baby over and you get >amaranthus<, named after the famed flower that represents immortality. this piece stands as a color-negative of >mir a nero<, an unwavering stomp with just shadows of the piano sample heard earlier. freeze-dried rather than sun-ripened, >amaranthus< is a dubby, more technofied counterpart to the a-side, crafted for deeper and darker moments on the dancefloor.

vinyl only release !!! >> come on, be honest. you also have been waiting for this. for more than seven years now, the 27-year-old frankfurter chris tietjen stands, like hardly any other dj, with his cocoon mix compilations for the sound of this label. apart from sven väth, maybe.. so, it was really time for tietjen to carve his music-aesthetical biases finally into vinyl, because for the value-oriented and highly dedicated dj, its a matter of honour to release his tracks in the traditional ep format only.

after five years of its highly successful existence, after founding its sister-label 2diy4, after opening its own club ego in hamburg, after sending its artists all around the globe and after having brought more than 50 releases into this world - its time to celebrate diynamics fifth birthday! and this charity-compilation is diynamics gift for all of you. all benefits of this compilation will be donated to kinderhospiz sternenbrücke, an organization that accompanies terminally ill children in the last time of their lifes.

great album featuring some hot electronix! hailing from spain this is the first release on this d.i.y. label! intense uncompromising tracks of which the a side is rooted in classic detroit techno and electro. the b-side takes the listeners into orbit with some amazing spaced outed tracks. a pleasure to welcome this new label that delivers a first run of only 200 numbered copies on heavyweight vinyl! lets hope they will manage to do a repress at some point because this is too goo do share with only 200 people!

after his first two highly praised releases on aim vinyl in 2010 and 2011 and the subsequent break through album on smallville, moomin is back on aim with a beautiful 3- track ep. the a side >beautiful as you are< starts of with a fierce and somewhat grungy groove, slowly turning into a wonderful dreamy yet joyful piece of house music. >dont fly if its foggy< and the eps title track >she said she wont be that long away< on the b-side are another two brilliant accomplishments in deepness. for the true vinyl loverthis record comes as a limited edition 180-gram in pure black polyvinylchloride

straying away from their more familiar cutting-edge drum & bass landscape, im:ltd are taking to pastures new with their latest offspring from the somewhat uninhibited and off-kilter quentin hiatus. with a deep sun-dappled atmosphere, mixing old-school house vibes and snappy hooks with a dirty south laidback feel, the different strokes ep might be another mellow and melodic release but its not going to blend into the background. showing a real sense of movement and progression, this ep surely deserves a full play through as each track unravels in its own time, and fits together in order like an audio jigsaw puzzle.

fina records is therefore proud to present the riker ep - a three track cosmic delight from the man himself. title track >riker< is a warm, emotive, progressive number, interspersed with glockenspiel lines that would make lil louie vega jealous. in stark contrast, >geo< is a spacious, punchy, deep kicker of a house track layered with ghostly dropping baselines and shimmering echos. a futuristic deep house shoulder shaker for the terrace. on the <riker remix<, purveyor of new vibrations and rising star elphino (somethinksounds) delivers a driving house track, chopping up the vocals, and firmly stamping his own imprint across the basslines into an up-tempo designated dance floor record